So a tip from a new friend-in-nails (get it kind of?) (HEY visit her blog:
lacquerheaded) lead me to purchasing two of my very first lemmings: OPI - Movin' Out and Man of La Mancha. Today I have for you a few swatches of the most excellent Movin' Out, from the 2003 Holiday on Broadway collection.
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Yellow Wall, courtesy of 1994 |
Movin' Out is one of the rainbowest in-the-bottle polishes I've seen. It looks like liquified dreams. I'm holding it right now and in my living room light, it looks like it's got this ectoplasm-green shimmer. I tried taking a picture of it and failed, so you just get to imagine how awesome that looks.
While the spectrum of colors don't translate onto the nail entirely, there's still a huge and delightful range o' colors. I will show them to you now (I used 3 coats of Movin' Out over 2 coats of Orly - Velvet Rope with 1 coat of SV for all photos below.. kind of labor-intensive but wooooorth itttttt).
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Sunlight |
That looks like a nice bright mauve shimmery delight, yes? The red/orange blurry dots on the leftmost nail give the best color accuracy of the scattered microglitter in this sweetheart.
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Shade |
The chrome-ality is much more apparent out of direct light (like all multi-chrome polishes, I'm finding out, likely because of ... stuff. Indirect light beams and scattered sun particles and, you know, really scientific things).
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Artifical light / Shade |
Aaand in indirect artificial light was where I was able to pull the most color shifting from. Plum, mauve, bronze, gold, yellow, green. And that glitter! <3
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<3 <3 <3 |
So, there it is. The scattered glitter is apparent in Man of La Mancha, too. It reminds me of camera flashes in a stadium (OR A THEATER,
BROADWAY COLLECTION...). I'm super happy I was able to get a hold of this polish. While it's not suuuuuuper htf, it's still a polish I'm quite pleased with adding to my stash-a-roo.